Adabiyotga baxshida umr

Oʻzbek nasrining peshqadam arboblaridan biri Said Ahmad Husanxoʻjayev 1920 yil 10 iyunda Toshkentning Samarqand darvoza mahallasida dunyoga keldi. 1939 yili oʻrta maktabni, 1943 yili esa oliy oʻquv yurtini tugatdi. Adabiyot darslari va toʻgaraklarida ijodga boʻlgan havasi ortib, qoʻliga qalam ushlagan. Vaqtli matbuot esa uning ijod dorilfununi boʻlgan.

Said Ahmad dastlab «Mushtum» jurnalida, Radio komitetida (1942—1943), «Qizil Oʻzbekiston» gazetasi (1943—1947), «Sharq yulduzi» jurnalida (1948—1950) ishlagan.

Uning birinchi hikoyalar toʻplami «Tortiq» 1940 yilda nashr etiladi.

Urush va urushdan soʻnggi yillarda Said Ahmad koʻplab felʼeton, ocherk va hikoyalar yozgan. Uning «Er yurak» (1942), «Fargʻona hikoyalari» (1948), «Muhabbat» (1949) kabi toʻplamlari nashr etilgan. U «Xazina», «Hayqiriq», «Rahmat, azizlarim» kabi hikoyalarida Ikkinchi jahon urushining dahshatli oqibatlarini hayajonli tasvirlaydi, urush qahramonlarini ulugʻlaydi.

Adib hikoyalarida Oybekning psixologik tasvir mahorati, Gʻafur Gʻulom yumori, Abdulla Qahhor bayonidagi lakonizmi mujassamdir.

Said Ahmadning barcha hikoyalari zamonaviy mavzuda yozilgan. U hikoyalarida tasvirlaydigan har bir voqeadan falsafiy umumlashma chiqarishga, voqealarni lirik taʼsirchanlik bilan ifodalashga, badiiy tasvirlarning xilma-xilligiga erishishga intiladi. «Choʻl burguti», «Oʻrik domla», «Lochin», «Odam va boʻri», «Boʻston», «Toʻyboshi» kabi qator asarlari Said Ahmad ijodida ham, oʻzbek nasrida ham yangilik boʻlgan. Adib hikoyalarining bosh qahramoni ichki dunyosi boy zamondoshlarimizdir. Yozuvchi «Togʻ afsonasi», «Zumrad», «Muhabbatning tugʻilishi», «Koʻzlaringda oʻt bor edi», «Poyqadam», «Alla», «Iqbol chiroqlari» asarlarida hayotiy xarakterlar yaratgan.

Said Ahmad oʻzining hajviy hikoyalarida taraqqiyo-timizga toʻsiq boʻlayotgan yaramas urf-odatlar ustidan kuladi, muhim maʼnaviy masalalarni oʻrtaga qoʻyadi. Uning «Xanka va Tanka», «Lampa shisha» kabi oʻnlab hajviyalari fikrimizning dalilidir.

Said Ahmad kichik hajviy asarlari bilan oʻzbek radio va televideniyesida quvnoq miniatyuralar teatriga asos solgan.

Said Ahmad hikoyalardan asta-sekin yirik polotnolar yaratishga oʻtdi. 1949 yilda chop etilgan «Qadrdon dalalar» va «Hukm» (1958) qissalaridan keyin yaratgan «Ufq» romanida (1964) Ikkinchi jahon urushining olovli yillarida oʻzbek dehqonlarining front orqasida koʻrsatgan mehnat qahramonliklarini hikoya qildi. «Ufq» trilogiya boʻlib, yozuvchi unda urushdan oldingi va keyingi davr muammolari haqida bahs yuritadi. «Jimjitlik» (1988) romanida esa turgʻunlik davri illatlarini fosh etishga intiladi.

Soʻnggi yillarda uning «Xandon pista» (1994), «Bir oʻpichning bahosi» (1995) kabi hajviy hikoyalar toʻplamlari chop etildi. Shuningdek, u Oybek, Gʻ. Gʻulom, A. Qahhor, M. Shayxzoda, Shuhrat, Mirtemir va S. Zunnunovalar haqida xotira ocherklari yaratgan boʻlib, ular toʻplam holida nashr etildi.

S. Ahmad dramaturg sifatida ham tanilgan. U «Kelinlar qoʻzgʻoloni», «Kuyov» kabi sahna asarlarining muallifidir.

Said Ahmad ham qatagʻon davrining ikkinchi toʻlqiniga duchor boʻlgan, lager azoblarini tortgan ijodkordir.

ziyouz. uz

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